Showing posts with label Woody Allen. Show all posts
Showing posts with label Woody Allen. Show all posts

Friday, May 10, 2013

36 - The Good and the Bad…a New Kind of Hotel



AKA SUTTON PLACE,  New York City



AKA's intimate lobby, Michael clowning in the distance

Our first contact with AKA was catastrophic.  Already irritable and exhausted after a difficult flight from Paris, we discovered on arrival at the Sutton Place “hotel alternative” that our reservations had been cancelled.

On the good side, the staff was --from the very first moment-- impeccably friendly and whatever the problem (and there have indeed been a few), systematically in search of the best solution.  When we located our own copy of the booking confirmation, things began to quickly work themselves out.

The young man responsible for accidentally destroying our reservations was clearly humiliated and devastated by the public outing of his inefficiency.   I felt sorry for him, and it was soon apparent the incident was apt to bring us future good will, which I always welcome.   

By mid-week, we were thoroughly won over, thrilled with the overall luxury of the surroundings, and of the terrific interaction with the staff.  The entire concierge desk seem to absolutely love its work.  To a man (or woman), they take enormous pleasure in chatting with guests, and generally rendering themselves helpful whenever possible.

One evening  we did have a key problem.   We had been given the wrong key, and it took quite a lot of effort on everyone’s part before figuring out why the key no longer fit our apartment.   It was no big deal, but still kind of a bad omen.

Then, the following day, after some pretty heavy walking, including a fairly long hike across the Brooklyn Bridge, Brenda returned to our apartment alone.  I had some errands to do in the neighborhood. 


Manhattan seen from the Brooklyn Bridge


 Back at the hotel, one of the staff warned me there had been a “bit of a problem,” but assured me all been taken care of.   He didn’t wish to elaborate, and I was more than intrigued.  

Brenda met me at the door. She was laughing and almost crying at the same time.  The adventure she recounted was not banal:   Back in our apartment a few minutes earlier, she had started undressing to take a shower, and as she sat on the bed to remove her shoes, just like in the tale of Goldilocks and the three bears, she suddenly realized someone was asleep on our bed.   

Mrs. Singh
 It turned out to be a charming Indian lady, who had travelled just that day from New Delhi to attend the graduation of her nephew at New York University.  Brenda and Mrs. Singh were mutually flabbergasted.   They both had a momentary fright, a bit of an embarrassing moment, and ultimately a laugh, too.

The extended family of Mrs. Singh occupied the two next door apartments, and the downstairs clerk had inadvertently given the jet-lagged Mrs. Singh the wrong key --ours.   Of course there was no real harm done, but it certainly didn’t look very serious on the part of the hotel.

Nevertheless, there was a silver lining:   the management, thoroughly contrite, insisted on refunding a night’s lodging, which was more or less the maximum one might expect under such circumstances and a welcome economy to our New York budget. The rest of our stay went off without a hitch. 

There is a superb postscript to this story, as the best was yet to come.  Returning in 2010, I figured with all of our mishaps of the previous year, we might hope to get a special welcome.  That was not immediately in the cards.  We were ushered into a tiny, very dark apartment, clearly in need of repairs, and told with a straight face it was one of their most popular.

 When I objected, my interlocutor --as always-- showed plenty of good will in finding a solution.  Michael was a young, very personable New Yorker.  He took me aside and whispered that he remembered last year’s regrettable incident with Mrs. Singh, that if I could just wait 24 hours longer, the penthouse suite would become available, and we would be welcome to move in.  Needless to say, at no additional cost.

We waited the 24 hours, and our expectations were all surpassed.  It was at least 1000 square feet surrounded by panoramic windowing with stunning views of the city skyscape.   Cary Grant would have felt right at home. 

Brenda puttering about in the early morning



So there you are.  AKA has never been quite perfect, but it’s all a bit of give and take, and in our experience the give and the take have balanced themselves out rather nicely.

Room with a real New York view !




 SIDEBAR:  Sutton Place

Queensboro Bridge seen from Sutton Place Park 2010



Hollywood has long perpetuated the image of New York City’s Sutton Place as the very epitome of chic.


Onassis (Google photo)
Crawford (Warners)
 Film notables, including Joan Crawford and Marilyn Monroe, made their real life homes on Sutton Place.  Other residents have included Aristotle Onassis, Michael Jackson and Sigourney Weaver, to name but a few. 


Several scenes from both Woody Allen’s “Manhattan” and “Annie Hall” were filmed there, as well as exteriors in the original “Manchurian Candidate” and the remake of “Scarface.”

 Hollywood most memorably captured the neighborhood in “How to Marry a Millionaire,” the story of three almost penniless glamor girls who pool their resources to rent a luxury apartment for one month with the goal of nabbing rich husbands. 

Billed as the first comedy in Cinemascope, I wanted to see it as part of my 11th birthday party, but my mother insisted that the children vote;  I had to go to “King Solomon’s Mines” instead.


Vintage movie poster (20th Century Fox)
 





Your input is welcomed:  frank.pleasants@libertysurf.fr

Next Friday:  "The Decline of Mme Augier ... goings-on at the Negresco"

  [Photos are mine, unless otherwise credited]



Friday, January 4, 2013

19 - Hotel Staff's Best and Worst List

HAPPY NEW YEAR 2013 !

The new year 2013 has arrived, and it is the time for lists.   I’ve never been much for new year’s resolutions, but I do like best and worst lists.

Here then is a potpourri of hotel staff’s favorite and least favorite clients.  The list is short, as staff at the great hotels learn first and foremost discretion.  If I have managed over the years  to elicit a few inside tidbits, I consider it no mean feat:

Hepburn (Google photo)
Bruno, former maitre d’hotel and manager of the Pierre Hotel’s breakfast room in NYC:  “Of all the hotel guests I have known, Audrey Hepburn was the most beautiful inside and out.  Everyone adored her.”

I asked about Jacqueline Kennedy who was then also a Pierre regular, and he looked uncomfortable with  the question.  “She was quiet,” he finally volunteered ambiguously.   

When I pressed him with an inquisitive look, he added in a whisper, “Not very friendly.  Not at all really.”

Jackie Kennedy in NYC (photo Ron Galella)
 
* * * * *

Madame Chirac, France’s former first lady, has long been a regular at the Hotel Meurice’s coffee shop in Paris.  A politician in her own right and spokeswoman for a major French charity, she often conducts business over lunch. 

Ex-first lady Bernadette Chirac (AFP)
I once enquired of Solange, a waitress who has since gone elsewhere, about Madame Chirac’s “friendly quotient,” and she reluctantly conceded that the ex-first lady was rather cold and had been known to be “sharp with the personnel.”

On the other hand, she said that contact with her husband, former President Jacques Chirac, “was delightful, just like talking to you …” which I took as a compliment to both of us. 

* * * * *

Franco circa 1988
Franco, long since retired concierge at the Gritti in Venice, was extremely discreet and never said anything unflattering about anyone.   He lived through several decades at the Venetian palace, and he looked back on the fifties with nostalgia.  He loved Elsa Maxwell and remembered fondly the great charity balls she organized at the hotel.  

Garbo 1946 (Cecil Beaton photo)
Greta Garbo was another of Franco’s favorites, although I have difficulty imagining her as being very gregarious.  The Kennedys were equally appreciated, particularly Rose, the family matriarch ("most gracious and considerate").  The only unspoken criticism concerned the former King of England, the Duke of Windsor, who had “little or no communication” with the concièrge desk.

* * * * *

Allen outside the Ritz 2010 (Google photo)
Woody Allen has had a long-term love affair with the Paris Ritz.  For many years he would move in for the Christmas holidays, usually with his extended family.

Though one of the Ritz’ better known guests, his lack of communicability has rendered him not always the most popular.  At least one of the hotel restaurant’s waiters said they dreaded his arrivals, because when it was time to take his order, Allen invariably stared at the floor for long minutes without a word.

Jean-Paul, veteran maitre d’hotel and former breakfast manager at the hotel’s Espadon restaurant, always championed the American director.   He enjoyed him both as a filmmaker and a client.  The appreciation was apparently mutual, because Allen  insisted on ordering exclusively from Jean-Paul.  When the maitre d' arrived, Woody could usually be counted on to spring out of his trance.


 * * * * *

I naturally have my own best and worst list, but think I'll save it for another day.  In the meanwhile, I have assembled a little selection of hotel movies.  As any reader who looks a bit between the lines of these musings will by now have gathered, I grew up in the 1950s in a world that was signifcantly defined and enhanced  --at least in my eyes-- by Hollywood.  

When I later dreamed of moving to Europe, my motivations were based neither on history books nor novels.   All of my preconceived and frequently erroneous ideas came directly from Hollywood.

The same was doubly true concerning the glamorous world of hotels.  (In Aberdeen, there was the Lantana Inn and the Lloyd Hall, but even Hollywood couldn't have turned them into anything very exotic.)
 
Needless to say, the following list is far from exhaustive. Here are simply a few films --both good and bad-- that have one of the starring roles played by a hotel.  Many of these shaped a part of my childhood world into what was to become a full blown passion. 



--Grand Hotel, 1932.  The granddaddy of them all, still highly entertaining, however dated, with Greta Garbo, Joan Crawford, Lionel AND John Barrymore, Wallace Berry, etc.  Joan Crawford steals the show with a more nuanced performance than she could muster in later years. [click on above photo for more]

--Weekend at the Waldorf, 1945.  A rehashing of the above, but transferred to the New York landmark hotel during World War II.  A film of sketches, just barely tied together by the common denominator of the Waldorf Astoria Hotel.  Ginger Rogers, Van Johnson, Walter Pidgeon, Lana Turner, etc.  No one nominated for any acting awards, as far as I know.

--Hotel, 1969.  Adaptation of the Arthur Hailey novel with Rod Taylor, Melvyn Douglas, Merle Oberon, and Karl Malden.  More multiple dramas, this time played out against the backdrop of a grand New Orleans hotel. Very watchable, however mediocre. 
 
--Last Holiday, 1950.  British comedy drama starring Alec Guiness with a screenplay by J.B. Priestley.  A charming, forgotten gem that is more tragedy than comedy.  An under-appreciated salesman finds himself with only a month to live, and decides to splurge his savings on an indefinite stay at a luxury hotel.  It all ends rather sadly, though not as one might expect. 

Hotel Carlton in Cannes

--To Catch a Thief, 1955.  Hitchcock's supremely sophisticated romantic mystery set on the French Riviera and memorably at Cannes' Carlton Hotel, with Cary Grant and Grace Kelly.  The seed was planted, and I definitely started to dream of living in France[It was shortly after filming in the South of France that the future Princess Grace met her prince.]


--Plaza Suite, 1971.  With Walter Matthau in a triple role, three stories situated in the same hotel suite. Filmatic adaptation by Neil Simon of his long running stage hit, many scenes were filmed at the Plaza Hotel in New York City.  A little stagey, it was probably more effective on Broadway.

--California Suite, 1978. With Jane Fonda, Alan Alda, Walter Matthau again, Maggie Smith, Michael Caine, etc.  A kind of  L.A. version of Plaza Suite, shot on location at the Beverly Hills Hotel.  Despite screenplay by Neil Simon and a stellar cast, it was and remains unwatchably bad.  With the exception of Maggie Smith, who won several acting awards for her performance, including best supporting actress Oscar.  To be fair, some critics liked it; but trust me, you won't!


--Love in the Afternoon, 1957.  Gary Cooper and Audrey Hepburn under the master direction of Billy Wilder.  Entirely made in Paris, though for most scenes the Ritz was   recreated in a studio.  Annie Tresgot, a friend and neighbor in my building for the last 30 years, found her first job as an apprentice on this film, and she introduced me to it recently.  A respected documentary filmmaker for 45 years, this was quite an impressive start to her CV, and the beginning of a lifelong friendship with Billy Wilder.  [click on photo for more about Annie]


Vintage postcard, Hotel Del Coronado
--Some Like it Hot, 1959.  Well, everyone knows this one.  Jack Lemmon, Tony Curtis and Marilyn Monroe in the classic Billy Wilder comedy filmed almost entirely on location at the Del Coronada Hotel in San Diego, CA.  Brenda and I were tempted to stay there last year on our way to catch a boat, but couldn’t come up with a price that fit into our budget.  [click on above photo  for bonus about Marilyn]

Ginger and Fred (RKO photo)
--Top Hat 1935.  Fred Astaire and Ginger Rogers cavorting about in an imaginary Savoyesque hotel in London for the first half of this delightful, dated, cinematic icon.  No real hotel has ever been quite as sleek as this one.  Hollywood stylists and decorators were ahead of their time, because much of what remains from the American art-deco period in interior design originated from these 1930’s black and white films [click on photo below for another bonus].  The second half of the film is played in a deliriously make-believe Venice with another white-white hotel going way over the top.  Fred Astaire shares one extraordinary bridal suite with Edward Everitt Horton!

Fantasy hotel boudoir from Top Hat 1935 (RKO photo)



"in glorious black & white"
--Separate Tables 1958.  An all-star cast in this highly dramatic huis clos.  David Niven won a well deserved best actor Oscar (albeit for the shortest on-screen time in Academy Award history).  An aging and miscast Rita Hayworth acquits herself well.  Also Burt Lancaster, Wendy Hiller (though even she was purportedly baffled by her supporting actress Oscar), brilliant Deborah Kerr and the sublime Gladys Cooper.  Very British, and though situated in a refined residence hotel in the Midlands, Tables was filmed entirely on a Hollywood soundstage.





Your input is welcomed:  hotel-musings@hotmail.fr

Next Friday:  "A decaffeinated coffee ... in Hungarian?"